Life has been pretty good to me – most of the time. I’ve achieved many of the things I wanted. There are more places to visit, of course, and hopefully I can begin to knock some of these off my list year by year.
But as I reflect on things, there aren’t many that I wish I had done. Except one.
I wish I’d learnt to play the guitar.
Well, I can almost hear you screaming at the screen ‘Go on, there’s still time’. And being retired I guess I do have (in theory) time on my hands. But frankly, I don’t really have the aptitude – nor the patience.
The guitar was – and continues to be – such a democratic instrument. How many thousands of young men got hold of a guitar in the 50s and 60s, learnt a few chords, and escaped from their quite humble backgrounds? And that continues today, although I have to confess that my music appreciation somewhat atrophied in the 1980s and earlier. My elder brother Ed was given a guitar in the late 1950s, and although he did master sufficient chords for us to play skiffle, I’m not sure how proficient he really did become.
But I love listening to guitar music. So here are some of my ‘guitar heroes’ (who seem to be about my age!) and some favourite tracks (sorry about the adverts on the YouTube clips).
I saw him in concert at Birmingham’s LG Arena in May 2010, just after I’d returned to the UK after retiring from IRRI. What a concert! Mark has moved away from a purely rock focus, evoking a broader folk and country base to much of his current music-making. But whenever you listen to a Mark Knopfler song/tune, there’s no mistaking it. He has a way of introducing refrains into the melody that are just so typical. Listen to this track (just click the title) Cleaning My Gun – you’ll hear what I mean. But Whoop de Doo is perhaps an even better example.
What more can I say? One fifth (one quarter now) of Fleetwood Mac, his guitar playing is truly inspirational. And his song writing is not bad either. Taken from the 1977 classic album Rumours, this has to be my favourite track: Go Your Own Way, filmed during their 1997 The Dance reunion concert:
I saw Fleetwood Mac in concert in St Paul, MN in 2003. Pity that Christine McVie had already left the band by then, but a night to remember. Read an earlier post about Fleetwood Mac.
When has Eric Clapton not been around. It’s said that Clapton became a superstar when he found his voice, when he had the confidence to believe in his own abilities as a musician and singer. Hard to choose a favourite track, but this comes pretty high up – Cocaine:
I’m a big Pink Floyd fan, and it never ceases to amaze me how Gilmour’s musicianship added so much depth to PF songs. The track Comfortably Numb demonstrates just what I mean; sadly no longer available on YouTube from the Live 8 concert.
Of course, there are others I could also include in my top list: George Harrison, Jeff Lynne (and also read this recent post), Brian May (Queen’s The Show Must Go On with the inimitable Freddie Mercury), Tom Petty (Free Fallin’), Joe Walsh (he’s riffing in the background on this Eagles track, Life In The Fast Lane), and Carlos Santana (Samba Pa’ Ti). I never was a Jimi Hendrix fan (although I can appreciate his musicianship). And George Harrison, Jeff Lynne, and Tom Petty came together in the wonderful Traveling Wilburys (with Bob Dylan and the late Roy Orbison).
On the other hand, the outstanding folk/blues duo of the late Bert Jansch and John Renbourn (both of Pentangle fame) have to be on my list, somewhere. Ed had the vinyl LP Bert and John, released in 1966, which unfortunately was stolen from me when I lived in Costa Rica in the 1970s. I now have it as the CD After the Dance, released in 1992. But which of the great 15 tracks to single out? I think it has to be Goodbye Pork Pie Hat.
Here’s Rolling Stone’s take on the 100 Greatest Guitarists.
On the classical side, I very much admire John Williams. You would enjoy this CD (Sony SK 53 359), The Seville Concert, recorded in the Royal Alcázar Palace. And it includes Rodrigo’s Concierto de Aranjuez. There’s quite a lot of music out there, originally composed for the lute, and now transcribed for the guitar.