Christmas at Wallington

After Storms Arwen and Barra that battered us recently, a dusting of snow and icy pavements, and the endless rain, it was a delight yesterday to wake up to clear skies, and the promise of a fine day. Although rather cold. In fact the temperature didn’t climb much past 6°C all day, although it did feel warmer out of the breeze and in direct sunlight.

We’d already planned to get out and about should the weather hold. And that’s what we did, heading back to the National Trust’s Wallington in central Northumberland, just under 25 miles west from home.

The south front of Wallington

Ever since we joined the National Trust in 2011, we have tried to visit one of its properties around Christmas time, since many receive a delightful Christmas makeover. And we were not disappointed at the Christmas offerings Wallington had in store.

This was our third visit to Wallington, having first been there in July 2013, and again almost to the day a year ago. Last year the house was closed because of Covid restrictions. However, it was open yesterday, but most of the extensive grounds and woodland were closed to the public. Storm Arwen had torn through the estate, and brought down a large number of majestic old trees. In fact, some of the strongest winds of the storm (around 100 mph) were recorded just a few miles to the east of Wallington. National Trust staff were busy clearing paths of fallen timber and generally making access safe for the public. It will be some weeks, I fear, before everything is ship-shape and Bristol fashion once again.

We couldn’t have asked for a nicer day yesterday, and on our arrival just before 11 am, the clocktower at the entrance to the courtyard was bathed in bright winter sunshine.

After fortifying ourselves with a welcome of coffee in the excellent Clocktower Cafe, we headed to the Walled Garden, about a 15 minute walk from the house. We were surprised to find the conservatory open, and the lovely display of flowering plants was a feast for the eyes. My glasses and camera lens steamed up and it was some minutes before I could fully appreciate the displays in front of me.


Only the ground floor of the house was open but Christmas was on display from the entrance hall onwards.

Each room thereafter from the dining room, the drawing room, library, study, to the parlour, had festive trimmings to raise the spirit. Quite beautifully—and tastefully—decorated by the staff.

Along the North Corridor, one room is full of Dolls’ Houses. I don’t remember seeing these before. It was fun looking inside at the miniature worlds.


But the jewel in Wallington’s Christmas crown must be the Central Hall, with its tall and magnificently decorated tree. Once open to the sky, the Hall was roofed in the 1850s at the behest of Pre-Raphaelite John Ruskin. Now it’s a haven of tranquility. I’m sure it wasn’t always like that at Christmases past.

Although inspired by others, the Hall was very much the creation of Pauline, Lady Trevelyan whose bust can be seen on the left hand pillar above. I have written elsewhere about the artist William Bell Scott who painted many of the murals. In between the large paintings the pillars are decorated with paintings of flowers. Quite stunning. The only unfinished one (bottom row, left) was by Ruskin himself.

Walking around Wallington, I could imagine the Trevelyan family gathered round the dining table on Christmas Day, beside the piano in the drawing room, children rushing excitedly about in the hall. I wonder if they sang carols around the piano. They must have. But did they sing In the Bleak Midwinter (a favorite of mine), originally a poem composed by Wallington visitor Christina Rossetti (and sister of Dante Gabriel Rossetti, who founded the Pre-Raphaelite Brotherhood) and set to music by Gustav Holst and also by Harold Darke? I prefer the Holst version.


Here is a link to a complete album of photos taken yesterday.

Around Northumberland in 96 miles . . . and several thousand years

Steph and I have been Friends of the Alnwick Garden since April 2021, and being only 34 miles north of where we live in Newcastle, we try to visit the Garden every couple of months or so. It’s always nice to see how the Garden awakens in the Spring, flourishes during Summer, and closes down in the Autumn and Winter. And we always enjoy a welcome cup of Americano in the Pavilion Cafe.

However a stroll round the Garden usually takes no more than 90 minutes, so we often try to combine a visit there with somewhere else: on one of Northumberland’s glorious beaches, or deep in the county’s fabulous landscape.

And that’s just what we did last week, heading south from Alnwick to Lordenshaws Iron Age hill fort, south of Rothbury and beyond.

This is the route we took, and I have marked the various interesting sites along the way that encompass various aspects of Northumberland’s history over the millennia. We only stopped at three of these (having visited the others many times before): Lordenshaws, Mote Hills motte and bailey castle at Elsdon, and Winter’s Gibbet high on the moorland beyond Elsdon.

So without further ado, let’s explore what can be seen along this route.

(1) The Alnwick Garden Planning for the Alnwick Garden began in 1997, with the first phase opening in 2001. It was the inspiration of Jane, Duchess of Northumberland. The land was donated by her husband, Ralph Percy, 12th Duke of Northumberland, and covers 42 acres. The garden is managed by a charitable trust. The garden also includes a display of some of the world’s most poisonous plants, and there is a narrative of how they have been used for various nefarious purposes.

(2) Alnwick Castle Home of the Percy family for over 700 years, and residence of the 12th Duke of Northumberland and his family, the first parts of Alnwick Castle were erected in 1096.

Today, it’s open to the public, although we have never visited. The castle has been the filming location for several movies and television programs such as two of the Harry Potter films, and Downton Abbey.


Leaving the Alnwick Garden, we headed south towards Rothbury on the B6341, with views back towards the coast from the high, heather-covered moors, then descending towards Edlingham and magnificent views over the Upper Coquet valley all the way to the Cheviot Hills and the Scottish border.

(3) Edlingham railway viaduct The viaduct (seen in the image below, beyond Edlingham Castle) on the Alnwick to Coldstream (Cornhill) Railway, was opened in 1897.

The line was closed to passenger traffic in 1930. Freight services continued until 1965.

(4) Edlingham Castle and chapel The castle dates from the 14th century, although there was an earlier manor house on the site dating from about 1300. It was the home of Sir William Felton. The castle was abandoned as a residence in the mid-17th century.

Close by the castle is the 11th century chapel of St John the Baptist. Services are still held in the chapel.

Here is a link to a photo album.

(5) Cragside This must be one of the jewels in the National Trust crown, being the first house in the world powered by hydro-electricity. It was built by Lord William and Lady Margaret Armstrong. What is particularly striking about Cragside, in addition to the magnificent house and its location, is the fact that the Armstrongs transformed an area of high Northumberland heath into a remarkable garden with trees a hundred feet tall or more, something that they would never have seen. We’ve visited there several times, even before we moved to the Northeast in 2020.

(6) Rothbury Proudly proclaimed as the ‘Capital of Coquetdale‘, Rothbury is a small, traditional market town, and a convenient staging post for tourists wishing to explore the surrounding Northumbrian landscape. It was the birthplace, in 1970, of radio and TV celebrity Alexander Armstrong (a distant cousin of the Cragside Armstrongs). In 2010, Rothbury was also the focus of a massive police manhunt.


From Rothbury, the route climbs towards the Simonside Hills. Lordenshaws hill fort is close by. On this section of the route—as from Alnwick to Rothbury—the damage to trees caused by Storm Arwen in November 2021 was very much in evidence.

(7) Lordenshaws Iron Age hill fort and rock carvings This was our second visit to Lordenshaws. The Iron Age fort was built around 2000 years ago. There is also a Bronze Age burial mound. Close-by are the cup and ring marks etched in large boulders, and dating from the Neolithic and Bronze Ages, 6000 to 3500 years ago. Also, the views from there over Coquetdale are impressive.

Heading west from Lordenshaws, we traveled below the Simonside ridge before reaching the meandering River Coquet. Then climbing once more before descending into the village of Elsdon, a small hamlet we had visited in 1998 and which, for us, held an interesting story.

(8) Tosson Tower The tower appears in the video above around 5 minutes mark.

It is a Pele tower built in the 14th or 15th century to protect against raiders in this border region with Scotland. It had walls 2 m thick. We didn’t stop as the tower is on private land.

I’d been trying to locate some of the villages we had visited in Northumberland in 1998. And as we entered Elsdon I realized this was one of them. On that holiday we never had a set route, just ending up each day finding bed and breakfast accommodation when and where we could. In Elsdon, we had an evening meal in the local Bird in Bush pub, before retiring for an early night. You can imagine our surprise the following morning when we came down to breakfast to discover that the landlady’s husband, who we’d met the evening before, had suffered a heart attack during the night. A doctor and ambulance had been called and he was in hospital, probably in Morpeth. We slept through the whole commotion!

(9) Mote Hills motte and bailey castle, Elsdon Parking close by the village hall (where the toilets are open to the public!), we walked the short distance up a lane to Mote Hills, the earthwork remains of a late 11th/early 12th century motte and bailey castle, and one of the finest in the country. It’s very impressive, from a distance and close up.

Click on the image below to enlarge.

We had come across the Umfraville family on one of our earlier trips, in Upper Coquetdale, at Harbottle castle. And like the castle at Elsdon, Harbottle was built on a steep mound, the motte. At Elsdon the slopes must be 60° at least, and after struggling up the sides (before we found a much easier exit) I could imagine just how easy the site would have been to defend against unwanted visitors.


Having spent around 30 minutes exploring the remains of this interesting castle, we left Elsdon, and headed southeast to the last stop on that day’s tour of Northumberland: Winter’s Gibbet.

(10) Winter’s Gibbet High on the moors southeast from Elsdon, and with a magnificent 360° panorama, stands a sinister reminder of a late 18th century crime.

Winter’s Gibbet stands out clearly against the skyline. It a replica of the one first erected in 1792.

It was here that the body of one William Winter was hung in chains and left to rot following his execution (in August 1792 in Newcastle, along with two women accomplices) for the murder a year earlier of an old woman, Margaret Crozier who lived in a nearby Pele tower. It was the custom back in the day to leave the body of a murderer in a place overlooking the scene of their horrific crime. Click on the image below to enlarge.

William Winter was the only criminal to be ‘displayed’ at this gibbet.

From Winter’s Gibbet we headed home, passing on the way Wallington Hall, the village of Kirkharle, and Belsay Hall.

(11) Wallington This is a late 18th century mansion in the Palladian style, that replaced a medieval Pele tower on the estate (the cellars of which are still visible in the basement). It passed to the Trevelyan family in 1777.

We have visited Wallington on several occasions, and enjoyed not only walks in the garden and parkland, but also understanding the links of the Trevelyan family with the pre-Raphaelite Brotherhood of the late 19th century. I have written about our visits in three blog posts.

Capability Brown

(12) Kirkharle Just west of the A696 and about two miles south of Wallington, lies the village of Kirkharle. Birthplace in 1715/16 of the famous landscape architect, Lancelot ‘Capability’ Brown, who I wrote about after a visit to the National Trust’s Croome in Worcestershire. Brown received one of his earliest commissions from Earl Coventry to redesign the landscape at Croome and dig a large lake, the ‘Croome river’.

(13) Belsay Hall and castle This was one of the first English Heritage properties we visited even before we moved to the Northeast. It lies about 14 miles northwest of Newcastle.

Besides the Regency style house built in the early 19th century, the Belsay estate includes an impressive garden within the quarry from which stone for the house (and castle?) was taken, and the ruins of a 14th century castle, original home of the Middleton family.

There is access to the roof of the tower with good views over the estate and the Northumbrian hills to the north.


Northumberland has something for everyone. I think we’ve hardly scratched the surface in terms of its history. And although we have traveled quite extensively already throughout the county, there is still plenty more to explore. After all, it is 1820 square miles (or 4716 km²).

 

 

 

 

Of mythical beasts and Pre-Raphaelites

In July 2013, during one of our regular trips to Newcastle upon Tyne in the northeast England to visit our younger daughter Philippa and her family, we headed out into the Northumberland countryside to the National Trust’s Wallington, a late 17th century house west of Morpeth (map).

Since we moved to Newcastle a couple of months ago, we have taken advantage of many fine days to get out and about. And last Monday (14 December) we headed to Wallington once again. After a welcome cup of Americano, we enjoyed a walk of just under four miles around the grounds. The house was closed due to Covid-19 restrictions, like most if not all National Trust properties nationwide.


Sir William Blackett (c.1657-1705), by Enoch Seeman the younger; National Trust, Wallington

The Wallington estate was purchased in 1688 by Sir William Blackett (1657-1705) who came from a prosperous Newcastle mining and shipping family. He demolished the existing Fenwick family tower on the site (parts of which can still be seen apparently, in the basement), and Wallington became a country retreat. It underwent further developments, gaining its Palladian facade in the 18th century.

In 1777, Wallington passed to the Trevelyan family who continued to reside there until 1941. Then the 3rd Baronet (of the second, Wallington creation of 1874), Sir Charles Trevelyan, gave Wallington to the National Trust and, in the process, disinheriting his eldest son George (the 4th Baronet). [1]


Approaching Wallington, there are two features which stand out. In the valley below the house the River Wansbeck flows eastwards towards the North Sea. There is a beautifully constructed hump-back bridge over the Wansbeck, which from its architecture must date from around the time that Wallington was redeveloped in the 18th century.

The second feature, and close to the house on a lawn overlooking the approaching road B6342, is a group of four stone dragon heads (or some other mythical creature, perhaps griffins), lined up and glaring (or grinning—take your pick) over the Northumberland countryside.

They were brought to Wallington in the 1730s as ballast in one of Sir Walter Calverley-Blackett‘s ships. Presumably he was shipping coal to the capital. Anyway, from what I have been able to discover, these dragon heads came from Bishopsgate in London after it was demolished to make way for the increase in London traffic. They have been in their current location since 1928.


Like many country houses, Wallington has its fair share of treasures displayed by the National Trust in the many rooms, which we enjoyed during our 2013 visit.

But, for me, the pièce de résistance is the central hall, once an open courtyard that was enclosed (at the insistence of Pre-Raphaelite Brotherhood founding member John Ruskin) by Pauline, Lady Trevelyan, wife of the 6th Baron Trevelyan of Nettlecombe, Sir Walter Calverley Trevelyan (a renowned naturalist and geologist) who bequeathed Wallington to his cousin, Sir Charles Trevelyan (created the 1st Baron Trevelyan of Wallington in 1874).

From this satellite image from Google maps you can see the original layout of the house, and the enclosed central courtyard.

Wallington became a retreat for the Pre-Raphaelites, one of whom, William Bell Scott, a Newcastle painter and poet, was commissioned to decorate the central hall with a series of exquisite murals depicting scenes from Northumbrian history and folklore (and often incorporating local personalities into these). I recently wrote a separate piece about Scott.

I shall enjoy returning to Wallington as soon as Covid-19 restrictions are lifted and it’s once again safe to make such visits inside (and after receiving one of the vaccines).


But there’s so much more to see and appreciate at Wallington, since the woods, garden, and park are quite extensive. Last week we re-explored the East Wood and ponds, and the walled garden, before heading down to the Wansbeck which could not be crossed at the stepping stones due to the high water level.

We didn’t complete the full river walk, heading back up the B6342 from the bridge back to the house, and then into the woods on the west side of the house.

The south front of the house is protected by a rather impressive ha-ha – somewhat more formidable than others we have seen at the likes of Hanbury Hall (in Worcestershire close to our former home in Bromsgrove) and Berrington Hall in Herefordshire, for example.

The walled garden, some minutes walk from the house was splendid during our July visit, but had bedded down for its winter sleep a few days ago. Surrounded by red brick walls, mirroring an even more impressive wall just outside the garden and overlooking the garden pond, it never ceases to amaze me just how much these landowners and would-be aristocrats spent on improving their properties.

Because Steph and I are retired, we can take advantage of good weather (and sometimes not so good) to drop everything and head off to glorious properties like Wallington. And although there are perhaps fewer owned by the National Trust here in the northeast, we shall just have to travel a little further afield and visit those parts of northern England that we have not yet had chance to explore more fully yet. Added to the properties of English Heritage, we will have more than enough to fill our retirement for several years to come.


[1] In summer 1966 (or maybe late Spring 1967) I met Sir George Trevelyan at Attingham Park near Shrewsbury, when I attended a weekend course on the reclamation and botanical rehabilitation of industrial waste sites. Sir George was, for many years, the warden of the Adult Education College at Attingham Park, which is now owned and managed by the National Trust, and has been considerably restored internally and externally since the late 1960s.


 

Pandemic books – my 2020 reading list

2020 started where 2019 had ended – half way through George Eliot’s Middlemarch (published 1871-1872). That was a bit of a struggle in places, but I finally got there. And, on reflection, I did quite enjoy it.

Feeling at a loss as to what to turn to, I decided to quickly devour a couple of Arnold Bennett novels. Last year, I’d downloaded the ‘complete works’ to my Kindle.

First it was The Pretty Lady (1918) set at the outset of the First World War in 1914, and progressing through the war years as protagonist Gilbert (GJ) Hoade, a fiftyish bachelor of independent means, progresses in his relationship with French courtesan Christine who escaped to London from the German Army advancing on Ostend in Belgium.

Then it was back to the Five Towns at the end of January for The Price of Love (1914), a tale of lost money.

I finished that by mid-February, so decided to return to George Eliot and Daniel Deronda (1876). But I didn’t get very far. I’d been listening to some fine music on Classic FM one morning while lying in bed drinking my early morning cuppa, when I began to ask myself questions abut the development of music.

That got me into Howard Goodall‘s The Story of Music, that I finished at the beginning of April.

Then I decided to tackle the two books by Hilary Mantel about Tudor Machiavellian Thomas Cromwell that both won the Man Booker Prize (in 2009 and 2012, respectively): Wolf Hall and Bring Up The Bodies. In March she published the last part of her Cromwell trilogy, The Mirror & the Light, but because of the library closure due to the Covid-19 pandemic, I wasn’t able to get hold of it. Until later in the year.

During the pandemic I had expected to read more. But by the beginning of May I’d run out of steam. So it took me almost two months to finish re-reading Adrian Goldsworthy’s Caesar. It was fascinating to understand something about perhaps the greatest Roman (often based on his own words, as he was a prolific writer, ever keen to make sure his place in history was secure). I bought this book around 2007, and first read it while I was working in the Philippines.

Here’s a review that appeared in The Independent when the book was first published in 2006. It’s not an easy read, and I found myself constantly confused by Roman names, as so many individuals had the same or similar name. I couldn’t help being reminded of the Biggus Dickus scene from Monty Python’s Life of Brian.

Anyway, during the first week of July as we were preparing to move to Newcastle upon Tyne once our house sale has completed, I decided to return to the novels of Thomas Hardy, which I had first enjoyed in the 1970s when we lived in Costa Rica. A re-run of the 2008 adaptation by David Nicholls of Tess of the D’Urbervilles was screened on BBC4, so I decided to tackle that novel first to see just how true to the original the screenwriter had stayed. I’m not sure why, but I didn’t find Tess as easy a read as I had imagined. Somehow, Tess just didn’t click with me this time round. Maybe it was because I had so much on my mind. During August and September things were becoming rather fraught with regard to our house sale and move. I wasn’t sleeping well at all. Feeling anxious and stressed all day, every day.

Anyway, I eventually finished Tess and on 30 September the sale of our house went through and we moved north. Settling into our new home (a rental for six months until we found a house to buy – which we have), we registered with the local North Tyneside library, just ten minutes from home. And there, on the new books shelf was Hilary Mantel’s magnum opus, and the last in her Thomas Cromwell trilogy, The Mirror & the Light. Highly tipped to take the 2020 Booker Prize, The Mirror & the Light didn’t even make the shortlist.

Much as I enjoyed The Mirror & the Light, I don’t think it was the masterpiece that The Guardian reviewer Stephanie Merritt claimed. It was a long read, just over 900 pages. I think Hilary Mantel was being somewhat self-indulgent. She does have an accessible writing style, and although it took me over three weeks to finish, I almost never felt as if I was struggling with the text. It was only when she had her main protagonist, Thomas Cromwell, reminiscing in his own mind that the pace of the novel tapered off.

I finished The Mirror & the Light just before we went into our second national lockdown at the beginning of November, so I hurriedly returned it to the library, and searched for a couple of local histories. The first of these was Tyneside – A History of Newcastle and Gateshead from Earliest Times, by Alistair Moffat and George Rosie, published in 2005 (and made into a TV documentary, which I haven’t seen).

This was an ambitious history of the Tyneside region over the past 10,000 years. Ambitious, indeed! But remarkably accessible, with usefully placed boxes which went into greater detail on aspects related to the main narrative. Often, boxes such as these can be a distraction from the narrative, pulling the reader from the points at hand. But the authors have cleverly drafted their text such that the narrative came to a sort of conclusion just before a box, and picked up again afterwards.

I certainly have a better appreciation of the origins and history of Newcastle, and look forward to exploring over the coming years, especially those relating to the Roman occupation of the region between AD43 and AD410.

Next, I picked up A Man Most Driven, by Peter Firstbrook, about ‘Captain John Smith, Pocahontas and the Founding of America’ in the early seventeenth century. Now, I’d heard about Captain Smith since I was a child. Just the other day I talking (via Zoom) about him and Pocahontas with my 8 year old grandaughter, Zoë, in Minnesota, just as I was getting into Firstbrook’s biography. Zoë had been reading all about Pocahontas for one of her remote schooling assignments, and reminded me that Pocahontas did not marry Captain Smith (as I actually believed), but another Englishman named John Rolfe.

A Man Most Driven is a fascinating story of a really driven man who, from his own (and very possibly exaggerated) accounts had certainly had some scrapes all before he was thirty, and lucky to escape with his life on more than one occasion. It also describes how close, and many times the Jamestown colony came to failure, and Smith’s role (from his own and some independent accounts) in ensuring the early survival.

Did Pocahontas (a daughter of the paramount chief of the Powhatan, named Wahunsenacawh) really save his life as Smith wrote in his The Generall Historie? She was just a young teenager when this happened just as Smith was about to have his brains bashed out by hostile Powhatan tribe members near the early Jamestown colony in present-day Virginia. After marrying John Rolfe, Pocahontas came to English and was presented to Queen Anne (wife of James I & VI). But she took sick before she could return to America and died (aged about 21) in Gravesend where she was buried. Unfortunately the site of her grave has been lost.

I then turned my attention to local Newcastle history once again, by former Northumberland county court judge and one-time MP for Newcastle Central from 1945-1951), Lyall Wilkes called Tyneside Portraits. It’s a short anthology of eight men who contributed to the artistic and cultural life of Newcastle since the seventeenth century, as well as its physical appearance through the buildings they designed and built. Among them was William Bell Scott, and Pre-Raphaelite painter and poet whose exquisite murals grace the walls of the central hall at Wallington Hall near Morpeth in Northumberland, a National Trust property we visited in August 2013.

This was the third and last book I had borrowed from the local library before the most recent pandemic lockdown and then Tier 3 restrictions locally. The library has not yet re-opened and I was unable to replace these books. So it was back to the Kindle and a touch of Rudyard Kipling once again: The Light That Failed, first published in January 1891 (his first novel, and not critically acclaimed).

With a number of things to occupy me during December (including my daily walk whenever the weather permits) I reckon The Light That Failed will see me through to the end of the month. I’ll include a summary in my 2021 reading list compilation a year from now.

So that’s another year’s reading accomplished. And what a year 2020 has been. Who could have imagined, as the clock was about to strike midnight on 31 December last, just what we would be facing in the coming months. We’ve made it through the pandemic so far, and having access to books, good music of every genre, and daily fresh air have been key to that achievement.

Keep safe. And let’s hope for a better 2021.


 

There were three persons in his marriage – William Bell Scott’s ménage à trois

I’ve just finished reading Tyneside Portraits, a 1971 book written by Lyall Wilkes (1914-1991), former MP (1945-1951) for Newcastle Central and a county court judge for Northumberland.

It’s a collection of essays about eight men (!) who had a profound on the cultural and artistic life of Newcastle upon Tyne, as well as its physical makeup. They were painters, silversmiths, engravers, architects, and an author.

Among the eight was Edinburgh-born William Bell Scott (1811-1890)—painter, poet, and Pre-Raphaelite—who became principal of the School of Art in Newcastle for two decades from 1843. When I was half way through this particular chapter I realised that I knew about William Bell Scott, at least had personally seen some of his work, although from the outset had not drawn the connection.

Pauline, Lady Trevelyan

Anyone who has visited Wallington Hall that lies 12 miles west of Morpeth in Northumberland will know exactly what I’m referring to. Between 1856 and 1861 Scott painted a series of murals on the walls of what had been the central courtyard at Wallington. Victorian art critic and founder member of the Pre-Raphaelite Brotherhood, John Ruskin had persuaded Pauline, Lady Trevelyan, first wife of the 6th Baronet to enclose this space with a roof.

What’s particularly interesting about these murals is that local personalities, including Lady Trevelyan, are depicted in some. Indeed, painter Alice Boyd, Scott’s former pupil who became his longtime ‘companion’ figures in the scene of Northumberland heroine Grace Darling.

Alice Boyd (L) and Christina Rossetti (R)

Now I say ‘companion’; the relationship was undoubtedly more intimate. Scott had, apparently, a natural attraction for women. At a relatively young age he married Letitia Norquoy, whom he treated shabbily for the rest of their married life. In 1847, Scott became acquainted with the Rossetti family in London, after receiving a letter from a young Dante Gabriel Rossetti, poet and founder of the Pre-Raphaelite Brotherhood. His sister Christina, also a renowned poet, fell in love with Scott. It was more than two years after they became acquainted that the Rossetti family discovered that Scott was already married. It seems Christina pined all her adult life for a relationship that could never be, although she did visit on occasion with Scott and his wife, and the significant other, Alice Boyd. As Princess Diana once famously said: “There were three persons in this marriage“. Scott lived openly with Alice Boyd for more than 30 years, and she and Letitia became friends.


 

National Trust and English Heritage

Since 2011, Steph and I have been enthusiastic members of the National Trust (NT)

In 2015, we also became members of English Heritage (EH)

We visit as many of their properties as we can each year, always a good reason for an outing.

For obvious reasons, we have visited more properties closer to our former home (north Worcestershire) in the Midlands than elsewhere. And, as we ticked off these local ‘low hanging fruits’, so to speak, we had to travel further afield to experience somewhere new. Now living in the northeast of England, there are fewer National Trust properties than further south, but sufficient for day trips. And English Heritage properties do seem more numerous.

In 2015, we toured Scotland, and with our reciprocal membership in the National Trust for Scotland, we visited four sites.

In 2017, we spent just over a week in Northern Ireland, touring National Trust sites all around the Province.

In 2018, we spent a week in Cornwall, taking in properties in Somerset and Devon on the journey south, and on the return.

And, in April/May 2019, we spent a week in East Sussex and Kent.


Here are the NT and EH places we have visited and, for most, I have written a story on this blog. Each property is shown on a region map as either a NT or EH logo.

Click on a logo to open links to a blog post, the NT or EH web sites, and a photo album of my own photos, although I haven’t yet completed uploading all the photo albums, and I still have to blog about a few places.

In any case, here is an alphabetical list (with links), by region, of the properties we have visited:








Visiting again after almost 50 years . . .

Although the weather yesterday wasn’t as bright as had been forecast a few days previously, we thought we would miss any showers that came along, so decided to push ahead with our visit to Attingham Park, a late 18th century mansion just southeast of Shrewsbury. And apart from one short shower, the weather did behave.

Built in 1785 for the 1st Lord Berwick, Noel Hill, politician and supporter of William Pitt the Younger, Attingham Park replaced an earlier house, Tern Hall. It had a chequered history, and the estate today (at around 3500 acres) is half the size it was at the beginning of the 19th century. The Berwick title became extinct in 1953 on the death of the ninth baron.

But it has a cornucopia of treasures inside, many collected by the 2nd and 3rd barons during their travels in Europe. A picture gallery and staircase, designed by architect John Nash (who designed other famous buildings such as te Brighton Pavilion and extensions to Buckingham Palace) were added in 1805. The roof of the gallery – considered a piece of outstanding architecture in its own right, but which leaked from the very beginning – is undergoing extensive refurbishment today. Apart from one or two glimpses here and there, the roof is not visible from the inside, but I’m sure it will look magnificent once fully restored.

Visitors to Attingham Park today have extensive access to rooms on three floors – in fact one of the better properties in this respect that the National Trust manages. Together with long walks through the Park, a tour of the impressive walled garden, as well as the house itself, Attingham Park is certainly worth a visit.

But as the title of this post suggests, this was not my first visit to Attingham Park. For almost 25 years from 1948, it was run as an adult education centre, and the warden was Sir George Trevelyan (of the Wallington House in Northumberland Treveleyans). In 1966 ( I think it was) I attended a weekend residential course – I was in high school at the time. I don’t remember seeing may of the treasures that were on display yesterday. Maybe we were kept well away.

Three days, three houses . . .

During our trip to the northeast a couple of weeks ago, we visited three National Trust properties over three days. They all had one feature in common: until quite recently they were still occupied by their owners.

In Northumberland, the two houses were: Seaton Delaval Hall, just north of Whitley Bay, about a mile inland from the North Sea Coast (map); and Wallington House and Gardens (map), home to generations of the Blackett and Trevelyan families for generations, about 25 miles northwest of Newcastle. In North Yorkshire, just south of Helmsley in the North York Moors lies Nunnington Hall (map), which we visited on the journey home.

Seaton Delaval Hall
This impressive property was designed in 1718 by Sir John Vanbrugh (who also designed Blenheim Palace and Castle Howard) for the Delaval family who had occupied estates in the area since the time of the Norman Conquest in the 11th century. It comprises a Central Hall and West and East Wings (which houses the large stables). The Central Hall was destroyed in a fire in 1822, although a number of features did survive. The West Wing (and the extensive cellars) originally housed the servants, but in the 20th century became the residence of the owner. Some restoration has taken place, and the Parterre Garden was designed in the 1950s. Although Seaton Delaval will never again reach its former glory, its outward appearance speaks volumes for what it must have been like.

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Wallington House and Gardens
The hall dates from the 17th century, but had extensive modifications in the Palladian style in the 18th. Two aspects particularly impressed me: it definitely had the feel of a family home; and the walled garden, about 15 minutes walk away from the house, in among the woods, is perhaps one of the nicest gardens I have visited. The entrance hall has bright murals showing many different aspects of the history of Northumbria, and the house is full of beautiful treasures. Wallington is definitely worth a visit for so many reasons.

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Nunnington Hall
Alongside the River Rye, parts of the house date from the Tudor period, but over the centuries it was remodeled. There are signs of its occupation by Parliamentary forces during the English Civil Wars of the 1640s. The gardens are not extensive, but quite attractive.

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