Belsay Hall, some 14 miles northwest from Newcastle upon Tyne, is a country mansion, constructed between 1810 and 1817 in the so-called Greek Revival style. It is believed to be the first house in the country to be built along these lines.
Steph and I visited Belsay Hall in late July 2009, along with our younger daughter Philippa and Andi (who she married in 2010).
Its owner was Sir Charles Monck who, until taking up residence in his new house, occupied the 14th century castle on the Belsay estate nearby, and which is also open to the public.
Belsay Hall is a square building, and today is completely empty inside, being left in what has been described as ‘benign decay’. The only maintenance prevents the building from deteriorating further. The house is decorated throughout in the ‘Greek style’, pillars everywhere.
The stables and coach house, which are sited just to the northeast of the main entrance, are also open to the public.
On the south side of the house, there is a terrace and formal gardens.
After exploring the house, we made our way to the castle, a half mile walk through the Quarry Garden, a cool, dark, and damp environment favored by luxuriant ferns. The house was built from stone quarried here.
There is access to the roof of the tower and, on a nice day, I’m sure there must be fine views over the surrounding landscape. It was rather grey and misty on the day we visited.
In July 2009, there was a very special art installation mounted in the Great Hall.
Lucky Spot, as it is known, is a three dimensional chandelier in the shape of a leaping Appaloosa horse, hanging from the rafters of the Great Hall. Made from 8000 large crystals beads, it was a collaboration between Stella McCartney (daughter of former Beatle, Sir Paul McCartney) and the Austrian glass maker Swarovski. I’ve read that Stella McCartney was inspired to create Lucky Spot after a visit to Belsay.
Catching the light from all directions, this is one of the more impressive pieces of art that I have come across.
Once we move up to the northeast, a return visit to Belsay is definitely on the cards. This time I’ll make sure to use my camera rather more liberally than I did in 2009.