The Moreton family began to build Little Moreton Hall in the last years of the reign of Henry VII, and it was completed with various additions in the 17th century. Little Moreton Hall is the epitome of a half-timbered Tudor manor house, its black and white timber-framed construction and intricate patterns typical of the architectural features of that period. It is also surrounded by a moat.
Located in southeast Cheshire, near the small town of Congleton (where I was born), Little Moreton Hall remained in the same family for more than 400 years until it was given to the National Trust in the 1940s.
I have memories of visiting Little Moreton Hall more than 60 years ago. My family certainly went there in the late 1940s shown in the photo below on the left taken, I believe, in 1947. I was born in 1948, and Ed in 1946; I think he must have been 12-14 months when this was taken, along with my mum and dad, sister Margaret, and eldest brother Martin. The other photo was taken from more or less the same spot just a few days ago.
Much of the hall is open to the public, with the exception of a few rooms on the first floor. There is very little furniture in each of the rooms; you can take in the innate beauty of each of the rooms and their construction. The woodwork is exquisite.
Here is a plan of the ground-floor (drawn by George Ponderevo):
There are several rooms open on the first floor.
The crowning glory of the hall is the Long Gallery on the top floor of the south wing. Apparently added at a later date from the original building, the weight of this floor has distorted the walls below, causing them to bulge outwards. Strengthening bars were added in the 19th century. But the unevenness of the walls and floor are easily seen in the slideshow below. The roof is covered on stone tiles, an additional weight that the overall structure could hardly sustain.
The gardens are limited by the area of the island on which the hall was built. To the west is a small orchard, and on the north side a formal knot garden that is based on a 17th century design. The water quality of the moat must be quite high as we saw several large koi carp. But in Tudor times that could hardly have been the case, since the privies must have emptied directly into the moat.
My first memory of Little Moreton Hall comes from about 1954. I’m not sure if we had made a special visit, or whether my father, as the Chief Photographer of The Congleton Chronicle, had gone there to cover an event. In any case it was my first encounter with Morris dancers. I still vividly remember the Manchester Morris Men dancing outside the hall in front of the bridge across the moat alongside the Manley Morris Men. Once upon a time we had a couple of photographs but I’m not sure if they exist any more. In any case, I did find these photos of them dancing in May 1954, as part of a Mid-Cheshire Tour, and another from May 1953 at Astbury. I’m grateful to the Manchester Morris Men for permission to use these in my blog.